Madana Mohana is another soulful rendition by Pranavi and S.P.Charan with fantastic grand piano touches and classicism. The crescendo like chord progression is made of best use and the interludes are nicely woven with folk and contemporary blend. This track is definitely a whiff of fresh melodious air in the midst of fast paced numbers of current era!
The album gathers mellowed pace with Ola Ola possessing excellent sequenting and rhythm programming. The track has an instant likability factor and has a strange Harris Jayaraj flavor associated with it. The guitar riffs and drumming in the interludes are done quite well.
Veelunte is a passionate solo sung by Nahul Abhayankar with alternative rock styled guitar base. The fusion styled rhythm between mridangam and electronic synth is another experimental attempt to bring freshness to the album. The chord progression is impactful and breezy.
It is time to explore new age Jazz in Tuhi Tuhi having smooth saxophone, velvety sequencing and impressive vocals by Haricharan and the lower octave rendition by Lipsika. This track would win the hearts of anyone who have a fancy for melodious compositions!
The album arrives to a finale on an emotional note with Naalo Preme sung by the composer Hari himself. His unpretentious rendition is a huge asset for the composition and it has an interesting yesteryear feel to it. The usage of violin, and mellowed rhythm section does the job perfectly.
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